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6 to 9, 7​.​.​. 12

by Denver Boot

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1.
I Disagree 04:39
I don’t know where this boat is going Just know your secrets safe with me Its 6 to 9, 7, 12 half of a dozen I think you always see the other side Is much more green When will you realize you’ve been chasing camera spots? When will you realize you’ve been… Blinded by the lights At night They’re so bright And though I’m… Watching all the changes in my friends They swear its growing up that makes them give in When you’re talking about holding that candle Oh so high like you’re looking for a better way To spend your time Then I look to your left and to your right Just to find you been blinded, just to find we’ve been Kept to string along and hopes were high Much like I yes much like I A tug, a shrug, a sweet goodbye I camouflage my trust with a little sigh I don’t know where this boat is going, just keep rowing Just know your secrets safe with me, but I disagree Its 6 to 9, 7, 12 half of a dozen I think you always see the other side Is much more green
2.
Keep it close like the bible close to your heart Keep it close like the bible close to your heart Lit like a spark, hid from the dark, in the eye of hard times Keeping it close, keeping that bottle close to my heart Long before hostilities helping hand Came along to show you, what you couldn’t understand Came from such a pretty place; I can’t claim to know it well She swore growing up was such hell Convoluted degradation ain’t quite the same As dealing with a drunkard that can barely recall, the name he gave Try and talk about it, now understand my good man Until it happens, you won’t know life without a helping hand
3.
Sensible Man 04:57
She laid down with another man At times like these I understand Worse then walk, I pulled away Long before, I asked you to go Left you amongst the wolves in sheep clothing I did my best to warn you / I’m sorry, I didn’t stay to defend you I only know because I am one of them but I’m trying hard to just be a sensible man Minutes turn to hours as I think about all I given up Because of my pride, my white lies, and yes I... Despise myself for fearing love, for fearing love, for fearing love The next man is closer than you think He is in your house leaning on the kitchen sink Discussing all the mistakes that you’ve made And yes he’s swearing I could never do the same
4.
Cold Water 04:09
Down by the water, at the end of the road Problems seem farther away, where nobody knows It feels safe, far from the confines of home Cold water, cold water My concerns go, as the Cold River flows You say that you’re leaving, you say I should go You’re telling me things that I didn’t wish to know If I had treated you better, would it have changed today? You’ve made up your mind; don’t tease that you will stay It’s just fool’s gold As I sit on the ground with my hands on the pan I’ll see if I can find you throughout all the sand Or is it just fool’s gold? I’m digging so low, the waters so cold Why can’t I let go?
5.
Spare Change 03:29
Sitting here, just for a while Like an old porch dog trying not to shut his eyes Things go by, just look to gods great big sky Steering wheels and bottle caps Not a fantasies left behind Mind is drifting, drifting like the time No you don’t know what it’s does to me Or what you’ve done to me Yet these ticking clocks are never quite the same Prayers unanswered, hardened from the shame And life seems too rearranged... So I sit and watch the change Photographs of the past of things best left behind Walked for miles, just no vacancy signs By the by, only meant to make you sigh Creaking floor boards, and a key slides in the door Woke in a cold sweat, what was, is no more Miles and miles it seems so long ago But I'm still listening for...
6.
Flowers 03:51
I still smell you in my clothes and in my bed As the sunlight warms the skin on your chest And ill wonder who you’ve been Follow the flowers down to the place I’d like to go If I tame your heart will you tame my soul? And I wonder who you’ve been Clear the gray skies, out of my eyes Then maybe you’ll dust my broom Been waiting such a long, long time Couldn’t have come a day too soon Well the flowers are in bloom Hand out the car window as to feel the world breath Does it cool you down and makes you feel at ease? Still raise an eyebrow every time that girl says please
7.
Intermission 00:40
8.
Demonstration, translation, the movement on the sofa and bed Mother said you will leave this world the same as you began To see the love in her eyes, and then she, and then she cries Where it begins and ends changes the meaning of when When you lay do you lie? Does it matter what is said? Eden calls at the break of dawn with words that stink like gin Looking for some kind of reason to find out how you’ve been Over time you will find they just wanted you to do the same Octane painter, re-arranger Someone told me Jesus is dead; someone told me he has resin Other say look out for believes instead Of walking like sheep in a line to the house to be slaughtered so the others are fed.
9.
Porch Light 03:12
Crossed her legs as she leaned in Couldn’t look her in the eyes She gets a glance and sees in it’ll ruin my well planed disguise One foot in front of the other Not my place every buddy knows Can’t help it from the roots is where is grows Think we could build something better Still searching for a home Tell you what you can’t lose nothing That you’ve never truly ever known Compare me to a porch light What if I compare you to a key? Compare us to stiff drink but that’s not How you hold me As I write this letter, know it’s not goodbye, just some things that needed saying over time
10.
Money spent on walls of gold To keep her from the bitter cold Who where they to know Roots have their way to grow Send the line and let it go Send the line and let it go Send the line and let it go Just let it go Woke with an aching head and a stranger in the bed What a young dream, what a young dream Now it’s losing steam “See here son” said the man to his wide eyed little boy “I built that house with every bit of me and did it with such joy But now there’s tar on every square of our old back yard You got to stay kind, for life it does get hard”
11.

about

Providence Phoenix (R.I. Arts & Entertainment News Paper)
reviewed the record:

William Moretti and his Denver Boot work moody magic
'Close to the heart'
By CHRIS CONTI | June 19, 2012

Best bet of the week on the live circuit goes down on Saturday when the Denver Boot headlines a CD release party for their debut, 6 to 9, 7 . . . 12. Singer-songwriter (and guitar/banjo/ harmonica man) William Moretti is the creative force behind the band, which he bills as "moody folk with a touch of country picking, and hold the phony accent." This album is pretty darn special from start to bonus track finish. Pick up a copy (or download) at cdbaby.com right now.

Moretti handed over a copy of the new disc last week during our music awards bash at the Met, where the Denver Boot was nominated for Best Roots Act (and finished a close second to the Sugar Honey Iced Tea). Similar to work by kindred locals Brown Bird and Joe Fletcher, 6 to 9, 7 . . . 12 is another must-hear collection of indie-folk/roots/blues/Americana. A slew of friends chipped in, including the sharp rhythm section of John Viveiros (upright bass) and Sean Brown (drums), who gets the gallop going on the opener "I Disagree." Violinist Diane O'Connor and go-to slide guitarist Mike Samos are a perfect fit for Moretti across the album, notably on "Sensible Man," where he laments, "Left you amongst the wolves in sheep's clothing/I did my best to warn you." Things get cooking on the feisty personal favorite "Cold Water," where Moretti heats up: "If I'd treat you better would it have changed today? You made up your mind, don't tease that you will stay/It's just fool's gold." (And check out Brown Student Radio — bsrlive.com — for an excellent Denver Boot duo set recorded last week with Moretti and O'Connor.)

Moretti will be joined onstage by the official Denver Boot lineup: Jack Marlowe (banjo), Amato Zinno (upright bass), Tony Nimmo (drums), and O'Connor. The CD release show also serves as a birthday party for Moretti, so buy him and the Boot a drink or three. We caught up via email earlier this week.

BORN AND RAISED IN RI? DO YOU COME FROM A MUSICAL FAMILY BACKGROUND? I was born and raised in Cranston, was a runaway by 17 . . . but always in the Rhode Island area. My mother played piano, and my father Bill and uncle Mark were both rock 'n' roll musicians in the late '70s, best known for their original band High Voltage. My parents became born-again Christians when I was 11 and I never really took to that mentality. Eventually it became one of the main causes for leaving home.

HOW DID YOU INITIALLY GET INTO WRITING COUNTRY-FOLK STYLE SONGS? I never sat down and thought, "Ok, I'm gonna write a country-folk song now." It came from the need to write something I really meant and not something that just sounded good and made you want to dance. I spent my early twenties writing lots of songs trying to find my voice, and continue to do so.

IS THERE ANY PARTICULAR ASPECT THAT DIFFERENTIATES THE DENVER BOOT'S SOUND FROM OTHER FOLK BANDS? I feel like we have the ability to play very soft, slow, and quiet, then loud and dance able. We have a lot of tempo/groove changes and such. I feel like many folk artists stay with three or four chord changes and one tempo per song. We do not.

credits

released June 23, 2012

Denver Boot:

Billy Moretti - Vocals, Guitars & Harmonica
John "Custom" Viveiros - Upright Bass
Sean Brown - Drums, Percussion and Backing Vocals
Mike Samos - Lap Steel

Special Guest: Kim Petrarca - Backing Vocals

All Songs Written by William J. Moretti II
All Songs Arranged by Denver Boot

Recorded at Treading Thomas Records
Engineered by Greg Homes, Mixed By Greg and Billy.
Mastered by Barry Martin

*Track 9. Porch Light, features:
Jack Marlowe - Banjo
Amato Zinno - Upright Bass
Valerie Poirior - Backing Vocals

*Track 11. Black Heart, features:
Chris Owens - Mandolin
Jess Cahill - Singing Saw and Whistling

Contact us at:
denverbootmusic@gmail.com

Follow us on:
www.facebook.com/thedenverboot

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Denver Boot Providence, Rhode Island

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